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Christophe Bruno is a French net-artist (yes, like in net.art) based in Paris. His mostly web-related work deals a lot with questions related to language and has been widely shown. He gained a lot of recognition for his "AdWords-Happening" with which he has won a honorable mention at the 2003 Ars Electronica. He's had his first solo-show at the gallery Sollertis in Toulouse and recently he was invited to Transmediale 06, where his "Human Browser" attacked the unsuspecting art-crowd with her googled ramblings. Being so prolific and funny, it's about time that we take a closer look at Monsieur B!
'90s .
activism .
advertising .
architecture .
ars electronica .
augmented reality .
body .
cloclo .
cybersonica .
cyborgs .
design .
entertainment .
events .
events : COMPETITIONS .
gadgets .
games .
green .
inflatable .
installation .
interview .
journalism .
labs .
life online .
locative .
machine 2 machine .
nanotechnology .
politics .
privacy .
rfid .
robots .
security .
sex .
small talks .
software .
sound .
sousveillance .
space .
street .
telephony .
transmediale .
transport .
trends .
ubiquitous computing .
venice biennale .
vintage .
wearable .
wifi .
March 06, 2006
Interview with Christophe Bruno
+ interview
Sascha: Can you tell in a few sentences what most of your work is about?
Christophe Bruno: If you look at my work, I guess you will find that it mostly deals with the idea of diverting global symbolic structures like Google search engine, news portals or the blogosphere etc. I made quite a few pieces using language as a medium, but trying to grasp what I thought had been renewed by the rise of the Web: Semantic capitalism , Joycean epiphanies or formerly ...
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Then I've been exploring wireless technologies, as in WiFi-SM . But I think that parody (well it's not a parody anymore since I built the device since then) also tells you something about my position concerning the relation I see between art and technology. I have strong attachments to the original net.art movement but I don't consider myself as a digital artist, term which doesn't mean anything to me.
C.B.: I don't really like these classifications of "new media art" or "digital art", so it's not easy for me to answer your question... Anyway I'm not sure that an event of the importance of Transmediale could happen in France for instance, but when so-called new media artists have a chance to present their work, the public is often quite receptive. Last month, I had my first solo exhibition in a contemporary art gallery, in Toulouse and I'm quite happy with the way things turned out...
On the artistic point of view I don't care about the perennation of digital art. It means nothing to me. And the Internet will at some point become as commonplace as "space" or "time", so that "Internet art" might loose any signification.
What could worry me more, in France but I guess it's the same anywhere, is that "net.art", the original artistic movement, which commit suicide in 1998, and which constitutes the real historical breakthrough, is often not really recognized or remembered as such. I think it's important that it is not swallowed by this "digital art" category, whose aim seems to be the rewriting of art history. But contemporary art doesn't care that much about what kind of media you deal with (well it cares, but not in such a discriminatory sense), in France nor in any country. And that's a good thing.
Art Forum is a place to meet for all art lovers. It is our new free online service, which is donated to the art community. There are several art cafes as places to make new friends and chat about anything to do with art. The Art Events part allows to announce and share any information about exhibitions, art competitions, awards, etc., with the art community. The third part of the forum is the exhibitor support forum.
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